The Crow on a Tricycle and the Bipolar Starfish - E-book - ePub

"The Tricycle-Riding Crow and the Bipolar Starfish" is a poetic collection that synthesizes the boldness and originality of Elisário Urbino, one of the most enigmatic Portuguese poets of the post-surrealist period. His work, written between 1940 and 1975, transcends literary conventions, plunging into a universe of absurdities and ruptures, where logic is continually challenged and deconstructed. Urbino crafted a poetics that flirts with chaos and fragmentation, using irony and absurdity to critique the aesthetic and social norms of his time.
In this book, Urbino presents a tapestry of images and figures that equally disturb and enchant. The childlike crow on its tricycle and the bipolar starfish are central metaphors that reflect the duality of his work: the destruction of boundaries between the sublime and the grotesque, the profound and the trivial. His words resonate with dissonant musicality, echoing the spirit of neo-expressionism, where emotional intensity and aesthetic deformation replace rational clarity.
Urbino plays with language intuitively, almost like an abstract painting, where meaning slips through the reader's fingers. As an exponent of post-surrealism, Urbino goes beyond the paradigms established by the movement, taking his experiments into new realms. He navigates a labyrinth of disturbing dreaminess, disconcerting symbolism, and cultural rebellion. The rupture with common sense is evident in every verse, where the absurd reigns supreme, subverting any attempt at linear interpretation.
Coherence is intentionally shattered in favor of a poetic experience that appeals more to the unconscious than to reason."The Tricycle-Riding Crow and the Bipolar Starfish" is a work that demands commitment, a leap into the void that redefines notions of poetry and language. Urbino challenges the reader to abandon the shackles of logical thought and embrace the fluidity of dreams and visions, where the impossible becomes real and the real, a farce.
This is the unmistakable mark of his work: the ability to transform the ordinary into the extraordinary and the absurd into a new form of truth.