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In the innovative and wide-ranging Obsolescence, Daniel M. Abramson investigates the notion of architectural expendability and the logic by which buildings lose their value and utility. In the 1960s, many architects worldwide accepted the inevitability of obsolescence, experimenting with flexible, modular designs, from open-plan schools to vast megastructural frames and indeterminate building complexes.
Some architects went so far as to embrace obsolescence's liberating promise to cast aside convention and habit, envisioning expendable short-life buildings that embodied human choice and freedom. Others were horrified by the implications of this ephemerality and waste, and their resistance eventually set the stage for our turn to sustainability. Abramson's fascinating tour of our idea of obsolescence culminates in an assessment of recent manifestations of sustainability, from adaptive reuse and historic preservation to postmodernism and green design, which all struggle to comprehend and manage the changes that challenge us on all sides.