Rewriting Urban Strata in China - Reading, Interpreting, Recording Xi'an Xiaoyan Ta's Historic Urban Landscape - Grand Format

Edition en anglais

Laura Anna Pezzetti

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Laura Anna Pezzetti - Rewriting Urban Strata in China - Reading, Interpreting, Recording Xi'an Xiaoyan Ta's Historic Urban Landscape.
As the cradle of Chinese civilisation, Xi'an was capital under thirteen dynasties, the Silk Road's Eastern starting point and an urban planning model... Lire la suite
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Résumé

As the cradle of Chinese civilisation, Xi'an was capital under thirteen dynasties, the Silk Road's Eastern starting point and an urban planning model for several Eastern historic capitals. Today, the antiquity and historicity of Xi'an linger in the de-spatialised dimension of absence, nostalgia and placeless memory resulting from the common tabula rasa practice, applied to any morphological or topographical sign.
Defining what is precisely the object of preservation and enhancement is a key issue to assess both conservation and enhancement methodologies aimed at overcoming the falsification resulting from diffused forms of cultural commodification and a total absence of urban project. By reading the historical development of Xi'an through the structuring and typomorphological unity of the Xiaoyan Pagoda, part of a primary li fang of the Tang city and currently a UNESCO site, this book presents a methodology distancing from the notion of 'setting' while reading the Chinese city as a historically and physically defined context.
Overcoming also the notion of value, the space of History appears as an imaginative tabula plena, a layered accretion of traces, fragile signs of stratigraphie depths and a polysemic assemblage of both intangible and physical memories embedded in the fragments of buried archaeologies, persisting traces, ground writings, voids and absences that require interpretation and re-signification. By spatialising the temporal dimension, the text brings to light the resilient order of the urban form and proposes a sound reconfiguration of the UNESCO's site boundaries.
A cognitive process of rewriting is also theorised for its design enhancement as a syntactic reading as well as a hermeneutic interpretation, signification and re-configuration procedure. The inscription of new signs related by sense relations and based on principles, themes and traces inherited from the existing text defines a critical, interpretative and therefore creative act, providing the incoherent assemblage of the modern city with new legibility, and hence new writability.
Interpretative design enables continuing to write and re-signifying the historic urban landscape.

Caractéristiques

  • Date de parution
    01/01/2020
  • Editeur
  • Collection
    Quaderni Cinesi
  • ISBN
    978-88-9387-134-1
  • EAN
    9788893871341
  • Format
    Grand Format
  • Présentation
    Broché
  • Nb. de pages
    287 pages
  • Poids
    1.095 Kg
  • Dimensions
    22,0 cm × 22,0 cm × 1,8 cm

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À propos de l'auteur

Biographie de Laura Anna Pezzetti

Laura Anna Pezzetti, M. Arch PhD, is Professor of Architectural Design and Urban Composition at Politecnico di Milano, where she also serves as Chair of Architecture and Urban Design in ABC PhD board, Double Master Degrees Coordinator with Chinese Universities, and Delegate for International Relationship with Tsinghua University. Since 2015, she has directed the yearly "Heritage-Led Design Workshop" in Xi'an with Prof.
Liu Kecheng. Her research and design activities in both Italy and China focus on the layered construction of architectural and urban form with specific reference to historic sites, evolving contexts, public buildings and spaces. Her theoretical research and design have been published internationally and discussed in conferences and exhibitions. Her recent books include : Ri-Scritture del progetto ne ! paesaggio storico.
Lettura interpretazione figurazione (Siracusa 2020) ; Layered Morphologies and Latent Structures. Reading, Decoding and Rewriting to Enhance Historic Rurban Landscape (Shanghai 2019), and Liu Kecheng. Going through Historical Space (with Xiao Li, Shanghai 2017).

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