Edition Schott

'These movements are distinguished by a high, bold leap of imagination... ', judged a reviewer of the first edition of the Trio. But it is likely that Weber never performed his Trio in public - perhaps an indication for hidden extra-musical 'contents' which Weber was afraid of revealing ? One probably cannot completely rule out the possibility that the conflict-ridden courting of the favour of his later wife left its marks in Weber's last chamber music composition...
Instrumentation : flute, cello and piano op. 63 WeV P. 14